We have an original depiction of a woman in a rap song admired and adored by Biggie, a tragic heroine. WeвЂ™ve got parity (вЂњA real bitch is all I wantвЂ¦ With a glock just as strong as me/TotinвЂ™ guns just as long as meвЂќ) as well as poignancy (вЂњI swear to God I hope we fucking die togetherвЂќ вЂ¦ вЂњThey killed my best friendвЂ¦вЂќ). The title and the line about вЂњbeating her rightвЂќ doesnвЂ™t bode well, yet this is probably the most romantic track on the album despite the distressing outcome. вЂMe and My BitchвЂ™ is similarly surprising when you listen beneath the surface. The whole scene feels in no way derogatory tongue-in-cheek it might be, but this break in the album suits the new-wave feminist value of sexual autonomy and reveals an unexpected side to BrooklynвЂ™s finest. Rather than resisting the powerful force of feminine pleasure as a source of liberation, Biggie seems to condone it. Since Donna SummerвЂ™s iconic orgasm, African-American women singers have long utilised sexuality for the sake of expressing independence and enjoyment. She is clearly getting the most out of it as the 380-pound rapper tries to keep up. The вЂFuck MeвЂ™ interlude-the predecessor to those video clips your friends send to you that unexpectedly turn into loud porn half way through-is literally the sound of BiggieвЂ™s female counterpart thoroughly enjoying herself for 90В seconds. for nuttinвЂќ, depicting a man who takes pride in his work, doing all that is necessary to leave no customer dissatisfied. Another line goes вЂњI gotcha wishinвЂ™ for an intermission/Fuck the kissin, lickin down to your belly button, I ainвЂ™t frontin/they donвЂ™t call me B.I.G. In вЂOne More ChanceвЂ™, Smalls promises that вЂњWhether itвЂ™s stiff tongue or stiff dick/Biggie squeeze it to make shit fitвЂќ, proving himself to be a rather accommodating lover. Violence is second to sex in this album and presented much more ambiguously. Under BiggieвЂ™s rules, men and women are just as disposable as each other-equality, yay. Rather than the discomfort felt when listening to say EminemвЂ™s вЂKimвЂ™, thereвЂ™s a sense of indifference for anyone and everyone that gets in his way.

Violence towards women is indisputable, yet Biggie exerts just as much brutality on the male victims of his verbal spray-you certainly canвЂ™t accuse him of double standards. The initially censored line on вЂGimme the LootвЂ™ about robbing a woman even if sheвЂ™s pregnant alongside the murder of another woman in a car sound pretty cold after 20 years.

Regardless of how pissed off they make him, the women in вЂFriend of MineвЂ™ probably donвЂ™t deserve the hate BiggieвЂ™s offering. There are certain moments difficult to justify. This might sound as far-fetched as Kanye doing an album about rectal sensuality, but there are multiple moments throughout вЂReady to DieвЂ™ that stand out for the fact they donвЂ™t fall into the typical misogynist discourse in hip-hop. What I heard was something quite different and far more original-a partial new-wave feminist piece. I recently heard the album вЂReady to DieвЂ™ for the first time, expecting exactly the kind of subject matter that is so often condemned as sexist. Amongst the genreвЂ™s icons that are held up as examples of this is Biggie Smalls. These photos look at Biggie's life and tragic death.ThereвЂ™s been much written about the role of hip-hop as a cultural obstacle to feminism a globally favoured genre that advocates misogyny verse after verse, rapper after rapper. At his funeral on March 18, 1997, thousands gathered in BrooklynвЂ™s Clinton Hill, the neighborhood where Wallace grew up, to catch a glimpse of the hearse carrying the rapper. Two weeks after he was killed, his second album, Life After Death, was released. Ready to Die was the only solo album he released while he was alive. 22 on its list of the top 500 albums of all time. Wallace, a Brooklyn native, rose to the top of the hip-hop world with his 1994 debut album, Ready to Die, which featured songs such as вЂњ Big Poppa,вЂќ вЂњ Juicy,вЂќ and вЂњ Warning.вЂќ The album is iconic, and some of its tracks received several accolades, such as a Grammy nomination for Best Rap Solo Performance for вЂњBig Poppa.вЂќ Recently, Rolling Stone ranked it at No. None of these claims were substantial, and the person who shot and killed Wallace is still not known. Many people wondered who was responsible and why Biggie was targeted, and some have theorized that it was retaliation for the fatal shooting of Tupac Shakur months earlier. March 9, 2022, marked 25 years since Wallace, 24, was shot and killed in Los Angeles during an ambush at an intersection. No matter how people refer to him, his impact on hip-hop is felt to this day. These were some of the names Christopher Wallace went by.

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